Channel: Every Frame a Painting

Category: Education

Tags: miller’s crossinghudsucker proxytrue grito brother where art thoufilm analysisinside llewyn davisburn after readingfilmmakinglens choicebig lebowskino country for old menblood simpleraising arizonaediting rhythmfargoman who wasn’t therevideo essaya serious manbarton finkcoen brothers

Description: How do you film a conversation? Most likely, you’re going to block the actors, set up the camera, and do shot/reverse shot. But where do you put the camera? What lens do you use? And how do you cut back and forth? Today, I consider the Coen brothers — Joel & Ethan — and see how these choices lend a particular feel to their version of shot/reverse shot. For educational purposes only. You can donate to support the channel at Patreon: patreon.com/everyframeapainting This video was co-written with Taylor Ramos. Follow her on: Instagram: instagram.com/taylor.ramos Twitter: twitter.com/glassesattached And follow me here: Twitter: twitter.com/tonyszhou Facebook: facebook.com/everyframeap... Music: Carter Burwell - Way Out There (Raising Arizona) Carter Burwell - A Serious Man Oscar Isaac - Green Green Rocky Road (Inside Llewyn Davis) Carter Burwell - Little Blackie (True Grit) Carter Burwell - End Titles (Miller’s Crossing) Creedence Clearwater Revival - Run Through the Jungle Interview Clips: Cinematographer Style: vid.me/L5aW/cinematographer-s... Recommended Reading & Viewing: ASC Magazine on Bruno Delbonnel & Inside Llewyn Davis: bit.ly/1OxkCoP ASC Magazine’s profile of Roger Deakins: bit.ly/1TGUNKV Roger Deakins forum post on the lenses he uses: bit.ly/1KNKToa Help us caption & translate this video! amara.org/v/HuuZ